The Harvesting of Earth's Ancient Layers and the Crafting of Nature's Palette

My work delves into the intersection of art and science, drawing inspiration from the unparalleled contributions of Alexander von Humboldt, Ernst Haeckel and Henry David Thoreau; their legacies in both realms continue to inspire and inform. This project focuses on creating natural pigments from sedimentary rocks and other materials, honoring ancient techniques and indigenous peoples. By collecting and processing siltstone, abalone shells, and oxidized iron, I aim to reconnect with the natural world and translate its ancient whispers into vibrant colors.

The journey began on May 20, 2024, with siltstone collection, followed by grinding and straining using a mortar, pestle, and muller. This revealed Ohlone Sienna and Awaswas White, named to honor local tribes. Abalone shells, along with various other rocks and minerals, enriched the palette.

A modern twist came with iron oxidation, using steel wool, hydrogen peroxide, vinegar, and salt to produce iron oxide. This process required careful monitoring, gravity filtration, and sunlight drying. Integrating these pigments with linseed oil posed challenges in achieving a smooth, consistent mixture for painting.

Each step, from the chemical reactions in creating iron oxide to the physical demands of refining raw materials, highlighted the intricate balance of art and science. The process deepened my respect for historical techniques and the artisans who developed them.

This project is both a scientific investigation and an artistic tribute to the interconnectedness of nature and humanity. By bridging the past with the present, I have created unique, natural pigments. I invite you to join me on this journey through my video journal, notes, and photos. For further queries or to explore more of my work, please contact me through the provided information.